Annie Russell was born in Liverpool, England, in 1864. Her family then moved to Canada when Annie was a child. She first appeared on
stage at the age of 8 in a Montreal Academy of Music production.
By 1881, at age 17, she was the lead actress in a very successful production of Esmeralda on the New York stage.
By 1881, at age 17, she was the lead actress in a very successful production of Esmeralda on the New York stage.
By the late 19th
Century her career had taken off. Russell performed in over 60 productions on
Broadway, and London’s West End. But she was plagued by illness throughout most
of her adult life, so her career had many gaps.
In 1905, she originated the
title role in George Bernard Shaw’s play Major
Barbara in London. In 1908, she appeared with Robert Drovet in The Stronger Sex. In 1910, she appeared
in the Twelfth Night. Just to name a few.
Annie reluctantly retired in
1928, and moved to Winter Gardens, Florida.
A friend encouraged her to
teach at Rollins College. In 1932, at the age of 67, she was invited to star
in this college's first theatre production--Robert Browning’s’ In A Balcony.
Russell then formed two theatre companies on campus and spent the next four years acting in and directing several plays.
Russell then formed two theatre companies on campus and spent the next four years acting in and directing several plays.
The Rollins College
Mediterranean-style theatre is named after Annie Russell. It has been over
70 years since she died in 1936, but many feel she haunts this theatre. College alumni,
students, and faculty all have encountered her ghost.
It seems she still takes an
active interest in the productions that are performed. She is even known to
“mother,” and encourage young aspiring actors that perform at the theatre.
One example of her friendly
presence occurred in 1978. Late one night, a young actress curled up on the
theatre’s green room sofa and fell asleep. She awakened the next morning to
find a blanket had been tucked around her. A chair had also been placed against
the couch as a barrier so she wouldn’t roll off the couch. The night before, this
chair had been across the room.
When this actress inquired
who had tucked her in, she discovered that she was the only one in the theatre.
Many feel this was the kind handiwork of Annie.
Over the years, witnesses have
seen and heard Russell’s ghost. She is seen wearing a Victorian floor-length
lavender gown.
Two theatre majors encountered her separately but on the same evening. The first student saw an old lady in a lavender gown walk by her in a corridor outside the main theatre. Wandering at her strange clothes and thinking the lady was lost, she asked if she could help. Russell did not respond but just stared at her.
Two theatre majors encountered her separately but on the same evening. The first student saw an old lady in a lavender gown walk by her in a corridor outside the main theatre. Wandering at her strange clothes and thinking the lady was lost, she asked if she could help. Russell did not respond but just stared at her.
Later another student was
painting stage scenery when she looked up at the balcony. She saw the same old lady
wearing lavender, staring down at her. No one else saw this oddly dressed lady
even though many people were in the theatre that evening.
Annie in 1931 |
Annie often gives young
actors encouragement. Many have stated that after they performed, they felt a
light pat of approval from an unseen hand on their back.
One young actress that was rehearsing on stage alone heard one person clapping after she finished her scene. She was surprised because she thought she was the only one in the theatre. She leaped off the stage and searched but discovered she was indeed alone.
One young actress that was rehearsing on stage alone heard one person clapping after she finished her scene. She was surprised because she thought she was the only one in the theatre. She leaped off the stage and searched but discovered she was indeed alone.
It is believed Russell watches
many of the productions performed at the theatre. She even has a favorite seat.
It is located in the third row of the balcony.
The bottom of this seat is often seen down when no one is sitting in it. One professor at the college told a newspaper reporter that his dog went to Russell’s place in the balcony and sat near it, looking up expectantly.
The bottom of this seat is often seen down when no one is sitting in it. One professor at the college told a newspaper reporter that his dog went to Russell’s place in the balcony and sat near it, looking up expectantly.
A stagehand states that
Annie saved his life. He was standing on a tall ladder, adjusting a stage light
when he felt something tug at his pants leg. Seeing no one, he ignored it. Again
he felt a tug. Thinking he imagined it, he moved up a rung. His hand then
touched a live wire, and he fell.
One of his co-workers rushed
to call an ambulance. But when he made the call, he was informed that someone
else had already called.
The emergency crew got to the theatre within minutes of the accident. Because of this, they were able to save the man’s life. Many feel that Annie made the initial call frustrated; the man was ignoring her warning.
The emergency crew got to the theatre within minutes of the accident. Because of this, they were able to save the man’s life. Many feel that Annie made the initial call frustrated; the man was ignoring her warning.
Russell often shows her
approval, or disapproval of productions being performed. There is a door 15 feet
up on the back wall of the stage. People state this was Annie’s old dressing
room. This door is kept closed--and today there is no easy access to
this area, but during performances, it is often seen open. One theatre professor
helping to move a prop backstage, during one performance, spotted this door
open and heard the sound of a xylophone being played.
This photo was taken during an investigation. Peace River Ghost Tracker |
Russell is known to move a
rocking chair in a corner dressing room and make thud noises when she approves.
She is also known to smash or break stage props when she doesn’t approve.
One classic superstition that
surrounds Annie’s ghost is if she makes an appearance early Wednesday
morning--between midnight and one-- before a new play, musical, etc., opens, it
means the play will be a great success.
But if she doesn’t appear, it means the performance will fail, and even worse, something terrible will happen to the actors involved.
But if she doesn’t appear, it means the performance will fail, and even worse, something terrible will happen to the actors involved.
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